Buried Treasure!  
 

By ROBERT WALDMAN  

Brace yourself to be lured into a world of deceit and depravity with Columbia Pictures The Girl with the Dragon Tattoo, now smoking out the competition at Empire Studio 12, Colossus and Cineplex Theatres around B.C.

Books turned into movies can be hit or miss affairs. By far the most successful books ever to hit the silver screen are the Ian Fleming inspired James Bond adventures, set to return next November. Lead Bond actor Daniel Craig (Casino Royale) gives audiences a taste for revenge in The Girl with the Dragon Tattoo, a full on assault of the senses from Columbia Pictures. Ace director David Fincher (se7en) sets the bar high and overcomes the naysayers as he successfully helms a brilliantly crafted recreation of the original Swedish Tattoo movies that took the world by storm. Based on the hugely successful books by mystery writer Stieg Larsson, screenwriter Steve Zaillian (Schindler's List) wonderfully weaves a tale of debauchery and intrigue that the great (?) Hannibal Lector would be dutifully proud of.

Unless you've been living under a rock by now you should know about the story of The Girl with the Dragon Tattoo. Set in Sweden this 158 minute film looks at two parallel plots: a disgraced journalist and a mysterious death some 40 years earlier. How the two events coalesce is brilliant, worthy of a Sherlock Holmes puzzle solver. Tense from start to finish this masterful piece of cinema is a smart and effective remake of the European original.

Down but not out and in a heap of professional trouble is one Mikael Blomkvist. Craig is perfectly cast as the rather vacuous writer whose career is in a shambles. When from out of the blue Mikael gets approached to do a story on a mysterious heir we wind up in a complicated case of who did what to whom and when. Cast as the rich industrialist Henrik Vanger is Canadian man of all seasons Christopher Plummer (The Sound of Music). Wealthy beyond belief is this Vanger family who many years earlier saw one of their own mysteriously vanish into thin air, presumably killed. Out to solve this seemingly unsolvable case is Blomkvist - oh, along with a little help from a friend.

Somehow Blomkvist links up with a rather offbeat girl named Lisbeth Salander. Fans of the book and first film will immediately recognize this character and Rooney Mara (The Social Network) shines as the troubled girl with a knack to hack. Together this unlikely pair tries to unravel a mystery shrouded in danger.

Tense, emotional and unforgettable performances make The Girl with the Dragon Tattoo must see entertainment for those into crime dramas and consummate acting. Through a stellar cast you see the depths of paranoia and evil members of this rich family engage in. And then there's the humiliation a single woman like Lisbeth must put up with as powerful men will do anything to use and abuse her. Look out for stark performances from Stellan Skarsgard (Mama Mia!) and Yorick van Wageningen (Winter in Wartime) bound to turn a few stomachs.

Comparisons to the original classic are bound to surface. Put simply each and every actor rises to the occasion, almost universally surpassing the mastery given off by the original performers. Even Ms. Mara comes close to the grisly portrayal done by Noomi Rapace. Not for the children, The Girl with the Dragon Tattoo is an excellent suspense story and should well inspire remakes of the two remaining films/novels: The Girl who Kicked the Hornets Nest and The Girl Who Played With Fire.

Equine Wonder!  
 

By ROBERT WALDMAN  

Animals combine with warfare to bring forth a monumental experience in War Horse, the latest epic from Walt Disney Pictures now making its mark at the Esplanade 6, Empire Studio 12, Colossus and Famous Players Silver City Theatres across B.C.

Put the name Spielberg across the titles of any movie and odds are good your in for a quality time. Stevie Spielberg (I call him Stevie) returns to fine form with War Horse, a superbly directed tale from Walt Disney Pictures. Adapted from the hit play based on the best-selling book Spielberg again pulls off a masterpiece of storytelling at its finest. Right at the heart of this tale, however, are two of Spielberg's most important themes: war and family.

In a story that spans the decades, much of War Horse relates to the big war, The First World War and how one four-legged animal impacted many lives. Early on we see the beginnings of a champion. No, we're not talking a racing legend but a champion of the spirit. Raised by a young boy named Albert this lad from the poor side of town had a whale of a time keeping his newest "pet." In a masterful stroke of casting, from out of nowhere Spielberg chose first time film actor Jeremy Irvine to play this pivotal role. Believe in the love of a boy for a horse and you have a good head start to success. And if that casting doesn't work you go bust. Lucky for the producers of War Horse they chose wisely in their lead.

Times were tough in the quaint town where Albert lives as his dad and mom are farmers facing untold hardships through an unscrupulous landlord. Brought up by the likes of Emily Watson (Miss Potter) and Peter Mullan (Trainspotting) the Narracott was in turmoil. Enter this unruly and unwieldy horse and further chaos results. Told to plow the acreage or face eviction no one thought this new horse, a race horse no less, could do the job. My oh my how time proved them wrong.

Work was in this animal's bloodlines and through a stroke of fate the horse is "enlisted" to do war duty. Going behind the lines as a steed for hire under the smart ridership of one Captain Nichols this equine beast of burden proved unstoppable, no matter what side of the fighting it wound up on. Baby-faced Tom Hiddleston (Thor) smartly fills the British uniform but he's no match to the spirit of this wonder horse who has a magical effect on all who come it's way.

Smart and stylish, this bold piece of filmmaking has such attention to detail you just can tell its got Spielberg's blueprint on it on each frame. Beautiful cinematography and unbelievably spellbinding atmosphere with overpowering battles make War Horse a must see film.

At the heart of this story is a tale of a boy's lifelong friendship with a horse and how they both enter and exit a very gritty war. Full circle it goes with majestic human performances that jive well with an animal's whose heart and spirit you'll not soon forget. Even at 2 hours and twenty minutes War Horse comes in as one of this year's finest moments in storytelling.

Parenting 101!  
 

By SHIRLEY HOLLENBERG  

One bad mistake leads to a meeting of unlike minds in Carnage, a sensational new movie from Mongrel Media now spellbinding audiences at the International Village Cinemas.

Being a parent is no easy task. Two diverse couples get acquainted in the most devastating way in Carnage, a sensational new drama from Mongrel Media and Sony Pictures Classics. An A-list cast shows their impeccable acting skills in this smart and heavy message drama from notorious director Roman Polanski (Rosemary's Baby). Set in New York Carnage looks at a simple (?) simple case of bullying and how it gets out of control.

Two boys exchange blows and in an effort to make things right their parents agree to a meeting. Fireworks begin almost immediately and you can sense the pent-up frustration as each adult tries to get their licks in early. How Polanski shows the dynamic of four diverse personalities playing off one another is classic and the actors here show great poise and finesse as they do what they think is best to protect their child and their family honour.

Playing host to the festivities, if you can call it that, are Penelope and Michael Longstreet. Academy Award winning actress Jodie Foster (Silence of the Lambs) shines as the "aggrieved" mom while funnyman John C. Reilly (Boogie Nights) goes against type to dignify his travelling salesman routine. Both these folks are blue collar working stiffs whose son was beaten with a stick by the son of Alan and Nancy Cowan. The latter are totally upscale rich and brought to live by consummate European acting ace Christoph Waltz (Inglorious Basterds) and Kate Winslet (Titanic). What a contrast these two couples bring to the party and neither is shy in making their point.

Here we have the dinner party from hell as cordiality and good manners go out the woman as each parent comes out of their shell to tee off on each other. Whole personalities change and their demeanour goes through a rapid deterioration as their inner emotions get the better of them. Carnage reminds one of the classic meanderings from an earlier 1960s classic, Who's Afraid of Virginia Woolf, with the actors here scintillating. Sparkling dialogue and pitch perfect delivery makes Carnage one of the best dramas of the year. Short at only 78 minutes Polanski succeeds in showing an excellent character study and how one's true colours can appear at any time.

Animal Farm!  
 

By ALAN SAMUEL  

Strange titles can yield pleasant results. Such is the case for 20th Century Fox's We Bought a Zoo, a real charmer now on display at Empire Studio 12, Colossus and Cineplex Odeon Theatres around B.C.

Christmas and the holiday season is the best time to bring out films that whole family can enjoy without worries of bad language or questionable conduct on screen. Here 20th Century Fox sends just the right signals in We Bought a Zoo, a triumphant tale of a family often at rope's end trying to cope with a host of unfortunate circumstances. How they do it is masterfully revealed by winning director Cameron Crowe (Jerry Maguire) who also wrote this emotional script.

Grief affects people differently. In the case of one Benjamin Mee its not easy to overcome a loss. Certainly no "me" person is Matt Damon (The Bourne Supremacy) one of the most charitable and giving people in all entertainment. Damon shines as a confused dad doing his best to raise two children, a young girl Rosie and uptight son Dylan. Cute as a button Maggie Elizabeth Jones will steal your heart as Rosie while Colin Ford's truly is a parent's worst nightmare as a troubled boy. How their dad copes with these diverse children is a big part of We Bought A Zoo, a film that explores how a change of location can affect everyone.

Not immune to problems of his own is Benjamin who has not yet recovered from losing his wife. When an opportunity to resettle in a new home springs forth Benjamin takes up the challenge. Little does he know that turning a run down home in the countryside around and reviving a defunct animal farm would be such a daunting task. Along the way huge lessons are learned that director Crowe handles with great finesse as the emotional wells run deep.

In We Bought a Zoo you have a premise of urbanites going back to their rural roots. Though we've seen this approach before work in this 124 minute film there are lots of surprises along the way. Each character comes of age in their own right and we're all the better for it. Being able to overcome a handicap is hard to achieve and is a noble trait and We Bought A Zoo exposes a number of modern pains reflected in the past with never sounding a bit preachy or paternalistic.

Issues of money, love, kindness and family values all come into play in We Bought A Zoo a delightful tale of nature and care. Matt Damon has never been better as a misunderstood dad facing a whole series of challenges. More surprising I the top billing given Scarlett Johansson who, while important to the story, simply put takes a back seat to Damon who truly scores a home run with his parenting skills (or lack thereof). Where he shines is his ability to crawl out of his shell and blossom. It's wonderful to behold.

Born To Run!  
 

By ROBERT WALDMAN  

Flambouyant fun is on tap in The Adventures of Tintin, a riot of a film from Paramount Pictures now shining bright at the Esplanade 6, Empire Studio 12, Colossus and Cineplex Theatres around B.C,

Comic books have always been popular among kids the world over. While North American youth were lapping up the exploits of The Man of Steel, The Caped Crusader, Spiderman and the like, countless clones materialized. Across the pond in Europe arose a hero named Tintin. Thanks to Paramount Pictures and the combined talents of no less than Steven Spielberg and Peter Jackson (The Lord of the Rings) we now have the opportunity to see a big sized version of this European fan point. No one will be disappointed with the end results - if you like adventure, fantasy and unparalleled imagination.

Set your sights high and sail away to far off lands as we encounter relentless reporter and local man about town Tintin. Though this film is all animated with adequate 3-D effects it's the story here that captures the imagination. Cosmopolitan Europe is home base for Tintin who has a habit of finding trouble everywhere. Along with trusty dog snowflake the two fall victim to a polished madman bent on finding some far flung treasure. Never one to resist a challenge our born adventurer signs on for the task, against his will, and gets hurled into a global seafaring yarn that's as tall as they come. Rest assured that through it all our hero will emerge unscathed in the best Indiana Jones/Raiders of the Lost Ark tradition.

Wildly flambouyant at raucous from start to finish The Adventures of Tintin never lets up, doesn't stall for nary a moment, and will have you in the palm of your hands. Some scenes, especially towards the climax, are done in the best cliffhanger tradition and would do justice to any of famed archaeologist Indiana Jones' offerings.

Able to ham things up considerably is current James Bond incarnation Daniel Craig who is well suited as an evil robber baron while Jamie Bell strikes just the right pose as the meek-minded Tintin. Terrific action scenes and spectacular edge of your seats keep you engrossed in this cross-ocean trek that takes you all the way to mysterious North Africa in the quest for some unbelievable booty. Humour also takes its rightful place in this child fantasy that most adults will get a big kick out of.

Clever to a fault, even the opening credits have a mischievous bent to them, bound to delight. Again Steven Spielberg (Catch Me if you Can) shows his mastery at storytelling and ingenuity and pulls off another crowd pleaser that's perfect for this or any other holiday season. A real treat! This film has a never say die attitude and one particular encounter at the docks pitting machines against machines will show the utter charm of this boys with toys adventure yarn that both sexes will be begging for more.

Deadly Force!  
 

By ROBERT WALDMAN  

Actor Tom Cruise returns to good form in Mission: Impossible - Ghost Protocol, an obvious crowd pleaser from Paramount Pictures now setting the box office on fire at the Oakridge Cinemas, Empire Studio 12, Colossus, The Ridge and Cineplex Odeon Theatres around B.C.

Let the good times roll. Fans of Tom Cruise (Risky Business) will be glad to see that all that negative press courtesy of Oprah has come to pass and he's back in action big time in Mission: Impossible - Ghost Protocol. Classed as the fourth film in the hit franchise loosely based on the hugely successful CBS Mission Impossible television series from the 1970s this newest installment is tricky, fun and even believable (well at times). Things get started with a real big bang if you see this film in the IMAX format. Lucky viewers willing to shell out a bit more for this premiere film experience get to witness beforehand an extended five minute trailer of the upcoming BATMAN movie from Warner Brothers. It looks awesome. More to the point too, your mission is to watch good guy agent Ethan Hunt tangle with the usual suspects. This time, however, our spy boy seems to have less time for the ladies as his "team" is compromised by some evil mastermind out to, what else is new, conquer the world.

Action director Brad Bird lets loose with a barrage of high octane chases and fisticuffs which begin from the opening frame and never let up. Hunt's team is let go, literally, as a master criminal decides to wreck havoc on east-west relations. Out to stop him is this now disbanded group of agents who take it onto themselves to rescue the world from a potential Armageddon. Along for the ride are normal team members Benji and Jade along with newcomer Brandt.

Casting and plot are everything in these spy like thrillers and here the filmmakers have come up with some brilliant choice. By far the best character in this film is Benji, played with great comic audacity by British wit Simon Pegg. This comical genius manages to upstage even Tom Cruise who looks buff, acts tough, and is certainly in his element in his latest escapade. New girl on the block Paula Patton is suitably comely as Jade but somehow lacks the intensity of Hunt's earlier lady friends. Here there is little time for dallying as the fate world looks grim indeed.

Enter on the side of law and order one Brandt, played with suitable candor by Jeremy Renner who comes of age here in a somewhat tricky part. On the other hand we have great thespian Tom Wilkinson quite wasted as the head honcho behind this disgraced and displaced team who has too little screen time given his way, though this role does move the plot forward.

Shot mostly in Vancouver though you wouldn't know it, Ghost Protocol moves at a rapid clip and has just the right tongue in check humour to work. Exotic locations are well displayed including jaunts to Dubai in India with a stopover on cold as ice Stockholm.

This newest version is definitely worth seeing thanks to Tom Cruise returning to fine form. Fans of the series will not be disappointed with the story, its location work and action sequences just rock and keep on coming at you!

High Class!  
 

By ALAN SAMUEL  

Serious drama is on tap in Sleeping Beauty the latest drama from EOne Entertainment sure to stir up a ruckus at Silver City Riverport.

Don't let the title fool you. There's nothing Disney-like in the adult oriented Sleeping Beauty, a controversial and effective movie from EOne Entertainment now opening up eyes everywhere. Not intended for kids, this 2011 drama does in fact centre on a youthful looking student who manages to wind up in a rather unusual profession.

Trying to make ends meet seems hard for Lucy, a pleasant girl with a plethora of problems. Emily Browning (Sucker Punch) turns in a gutsy performance as a university student busy taking courses during the day while trying to make a living at night. Not content with waiting tables this upstart begins moonlighting and sooner rather than later gets involved with bar hopping. Inevitably those bar session leads to romantic interludes with money and drugs the order of the day.

Made in Australia, Sleeping Beauty is a wicked delight. When it veers off into unchartered waters the ante is raised considerably, especially when young Lucy meets up with a new prospective employer called Clara. Style and wealth ooze from this woman who is convincingly portrayed by Rachael Blake (Summer). Clara's business is pleasuring men and her hook is to throw extravagant parties for well-heeled clients. Sure, we've seen this sort of sexual appetite before but in Sleeping Beauty the performances are solid and the atmosphere quite titillating.

How a woman functions with this double life is well handled by first time film director Julia Leigh who also wrote this eye-opening, jaw dropping movie. Little romance is on the order form here, instead what you have is a woman selling herself and the men who get pleasure from the interludes. Most of the time, it's not a pretty sight and rather depressing, despite all the wealth exhibited.

104 minutes into the murky underworld of the high class high stakes sex world is well developed in Sleeping Beauty an unsetting tale of people who use others knowingly and with their approval. Stark and bold this is one film that will make you appreciate the one your with and frown on others into debauchery no matter how genteel it's dressed up as. Tag on a very unusual ending and you have a film full of surprises, good performances and an atmosphere of wealth and power not many of us have privy to. And maybe that's a good thing.

Cold Warrior!  
 

By ROBERT WALDMAN  

Brave faces abound in Tinker Tailor Soldier Spy, a very smart drama from EOne Entertainment now sparking interest at the Scotiabank Theatre.

Master of smart thrillers John le Carre appears again on the screen in his inspiring Tinker Tailor Soldier Spy, a smart film based on his best-selling novel from EOne Entertainment. Aided and abetted by a stellar cast this British made film marks the first entry into the espionage sweepstakes this fall season. Consider this movie to be a perfect counterweight to the flambouyance of the James Bond series, which we will be seeing again next year with Skyfall. Forget the glamour here as le Carre plots a great tale of intrigue and duplicity behind enemy lines.

Ground zero for director Thomas Alfredson (Let the Right One in) is the British secret service. Apparently there may be a mole on the loose. Out to nab him/her is the chief spymaster who goes by the name of Control. Not to be confused with the organization that "ran" Agent 86 Maxwell Smart in the hit Mel Brooks television comedy series from NBC, this taskmaster is played with lots of gusto by John Hurt (V for Vendetta). Funny how people suddenly start dying as trench welfare inside the corridors of the secret service develop. A take no prisoners attitude develops with one man brought in to clean up the mess.

Back from the cold is top espionage man George Smiley. Top actor Gary Oldman (Red Riding Hood) comes across as the quintessential public servant who no one in a million years would suspect of being a spy. Glamour is short-circuited throughout this 127 minute affair as we watch the hired hands go through the motions to catch a traitor.

Among the usual suspects of possible agents who have turned are a quartet of top level officers at MI5 well acted out by such heavyweights as Oscar winning Colin Firth (The King's Speech), Toby Jones and Ciaran Hinds. What makes Tinker Tailor Soldier Spy so good are three elements: standout acting, wonderful atmosphere of the power layers in the intelligence community and a no-nonsense approach to get at the truth. Less heroics and more attention to detail also give this film a strong impact as a dramatic piece.

Just a touch slow at times Tinker Tailor Soldier Spy will fully satisfy those espionage fans who crave smart who-dunnits where brain power out muscles fisticuffs every time. Set in the 60s and shot in and around Budapest the film almost has a 3rd man feel to it and will appeal to folks who enjoy not knowing how actually is the evil menace until the very last frame.

Show Down!  
 

By ROBERT WALDMAN  

All bets are off and the stakes are raised sky high in Sherlock Holmes: A Game of Shadows, a smart continuation of the new series from Warner Brothers now bursting out at the Esplanade 6, Empire Studio 12, Colossus and Cineplex Odeon Theatres across B.C.

Warner Brothers returns to fine form with Sherlock Holmes: A Game of Shadows. Edgy director Guy Ritchie (Lock, Stock and Two Smoking Barrels) lets loose with a monumentally fun film that rocks for 129 minutes. Blessed with a great cast who all seem to be having a grand old time of it all this second in the "updated" Holmes series is full of sparks and spunk and an admirable counter to the traditional 1940s classic Universal Basil Rathbone Nigel Watson inspiration.

Here good old Holmes and Watson lock horns with a madman out to, what else, conquer the world. Both Robert Downey Jr. (Iron Man) and Jude Law (Alfie) are great together getting into and out of trouble with nary a moment to relax - let along get married. Poor old Dr. John Watson has a pending marriage side-tracked thanks to the evil machinations of one Professor James Moriarty. Bad in the best classic evil tradition is Jared Harris (Natural Born Killers) who just oozes evil beneath the service as a suave and calculating teacher of higher learning bent on making mayhem on a grand scale. Europe is in the cross-hairs of Moriarty's dastardly plans and only one man - Sherlock Holmes - can stop him. Trusty Watson is also around on more than one occasion to help his best buddy out.

Full of rocking special effects and thankfully no 3-D elements Sherlock Holmes: A Game of Shadows is at times tricky to follow. Stay with all the ramifications and you'll be richly rewarded as the pacing here is superb and as always Downey Jr. is clever as can be and a delight to go on the journey with which has a global flavour to it. Romance and danger are everywhere here with two nubile women also around and pivotal parts to this scintillating plot.

Canadian superstar Rachel McAdams (Red Eye) lends her charms as Irene Adler, another scheming vixen able and willing to toy with Holmes' heart while The Girl With The Dragon Tattoo's own Noomi Rapace goes undercover as mysterious gypsy woman Madam Simza Heron. Even humour gets tossed into the mix with Stephen Fry (V for Vendetta) suitably oafish as an older statesman of sorts.

Mystery, suspense, danger, romance, philosophy and science all come together brilliantly in Sherlock Holmes: A Game of Shadows, an explosive wild and enjoyable escapist fantasy that proves that good writing and Robert Downey Jr. go hand in hand in creating magic on the silver screen.

Truth Seeker!  
 

By ROBERT WALDMAN  

Magic is in the air in the fun-filled Hugo, an historic imaginative romp from Paramount Pictures now dazzling audiences at Vancouver's Park Theatre, the Empire Esplanade 6 Cinemas, Empire Studio 12, Colossus and Famous Players Silver City cites around B.C.

Not content to rest on his dramatic laurels, master director Martin Scorsese (The Departed) comes clean with the family friendly Hugo, a wonderful imaginative lark from Paramount Pictures. Written by John Logan, this tale takes place in France and revolves around a boy's search for his father.

Hugo lives in a train station and as a child runs into loads of trouble. Cast in this vital role which anchors the entire movie is Asa Butterfield (The Wolfman). Either you'll believe his portrayal and run with the movie or you won't and it fails. Good news, the kid is tremendous. Come to think of it the entire ensemble cast here is outstanding as is the writing and overall presentation.

Shot in 3-D this film is another example of how you can live without these special effects. It's the story stupid and in Hugo everything works flawlessly even as a regular 2-D treatment. Our young lad gets into loads of trouble and its fun watching him try to solve a riddle left by his father, played by Jude Law (Alfie). Brilliant construction of an entire new world at the turn of the century proves Scorsese can create films that kids of all ages will enjoy.

During the course of Hugo's exploits, and they truly are heroic, he must contend with a menacing security official played up to the hilt by funnyman Sacha Baron Cohen (Borat) and other distractions. Having a knack for ingenuity and invention runs wild with this child and his talent of fixing things becomes of paramount importance as this mystery deepens.

Being on your own makes you rely on lots of good luck and good fortune. Hugo's hidden talent is an ability to fix things and this specialty puts him in good stead when he encounters an elderly gentleman played by Sir Ben Kingsley (Schindler's List). Friction, however, first comes between the two. How their paths cross and what Scorsese makes of it is brilliant as is the entire atmosphere of this movie. Absurd situations abound but the underlying theme of a boy being lost and a grandfather under stress helps bridge a gap that relates to the past and the invention of cinema itself.

Family plays a huge part in Hugo and veteran actors mix it up with child stars in a big way. Elements of danger, rescues and racing against time also help bolster the appeal of Hugo, a film whose creative zeal is front and centre. Other solid support in this multi-layered emotional experience includes Christopher Lee (The Man with the Golden Gun) and Chloe Grace Moretz (Kick-Ass).

Perfect for kids of all ages and an ideal Christmas present come early, Hugo is a dazzling display of bold creative filmmaking that turns out to be one of the finest films this year.

Boyhood Crush!  
 

By ROBERT WALDMAN  

Fantasies come true for a novice 23 year old in My Week with Marilyn, a sharp story from Alliance Films now delighting audiences at the Ridge Cinema in Vancouver and the International Village Cinemas.

Romantic movies can take many twists and turns. A bit out of the box is the surprisingly refreshing Alliance Films release My Weekend with Marilyn. Yes, the Marilyn we're speaking of here is in fact Marilyn Monroe, the blonde goddess. Here, however, the film charts a troubled course for the young actress as she heads to England to make a movie before her big hit Some Like it Hot.

Strong actress Michelle Williams (Brokeback Mountain) gives a nice portrayal of the American star who goes to Britain to do a movie. Little does she know the problems she'll encounter abroad. Come to think of it, neither do the British cast and producers who learn the hard way that Ms. Monroe may not exactly be their cup of tea.

Behind the scenes looks at movies have been done before. Thanks to a very smart script and wonderful cast we are taken into the bowels of an actual film production, one featuring the likes of Marilyn Monroe and Sir Laurence Olivier no less. One of Britain's greatest actors historically now gets portrayed by one of the best new generation actors, Kenneth Branagh (Wild Wild West). Fans of Branagh know just how good an actor and director he is and in My Week with Marilyn we get to see a full range of emotions as Mr. Olivier gets to work with Ms. Monroe on the filming of The Prince and The Showgirl. Accents aplenty contribute to the zest in this movie and Branagh's portrayal of a Russian prince is absolutely hilarious.

Where the "week" figures in the title to this movie is the interlude a young crew member has with Ms. Monroe. Rookie employee Colin Clarke will do anything to get a job in the film world, something many people can relate to especially nowadays. Actor Eddie Redmayne (The Good Shepherd) exhibits just the right degree of shyness and adoration to the glamourous American movie star to be believable.

Director Simon Curtis has done many television movies and small screen series and My Week with Marilyn marks his feature film debut. It's a fine feather in his cap. Consider his work here to be a big success. Lots of spirit engulfs both the film set and this entire production making it a very pleasant spectacle to behold. True to history, the film takes great pains to flesh out some of Miss Monroe's personal life with her marriage to playwright Arthur Miller and relationship with producer Milton Greene well documented. Dominic Cooper (The Devil's Double) is good as the hardened American producer while Dame Judi Dench (Casino Royale) makes a few waves of her own as another major actress on the show as does Julia Ormond (First Knight) as Vivien Leigh.

If you like British drama and want to see standout performances then this romantic bittersweet comedy fits the bill making My Week with Marilyn a pleasant indulgence indeed.

Paradise Lost!  
 

By ALAN SAMUEL  

Good looks can't mask dark secrets that have a way of turning folks inside out in The Desendants, a hard-hitting tale from Fox Searchlight Films now squaring off at the Fifth Avenue Cinemas.

Family life can be tough to handle. Problems seem to come from out of nowhere for a successful businessman in The Descendants. Trouble in paradise seems to have found one Matt King. Born into privilege, hunky George Clooney (Ocean's 11) leaves the laughs stateside as a jaded Hawaiian real estate mogul trying to grapple with a number of "issues". Married and with two young daughters Matt gets the shock of his life when his wife has a horrendous accident.

Gut check time comes early for this hard-working lawyer who also must cope with a pending sale of his family's property. While these events cloud his perception Matt must also try as best he can to raise teenager Alexandra and five your old Scottie. Oh, those teen years can be a minefield and Shailene Woodley effectively conveys pressures while younger Amara Miller makes an impressive film debut as a child with all sorts of emotional problems.

Set in Hawaii and Maui there's no denying that this film does have an island flavour to it. Life here seems a touch more laid back and Clooney shows solid and rugged determination as a confused father at wit's end as to how to deal with the crises that currently engulf his life. Director/writer Alexander Payne (Election) goes to great pains to make The Descendants as realistic as possible and he succeeds in showcasing family strains and pressures for 115 minutes.

Hawaiian traditions are glossed over here and the film makes a number of points on greed and a desire to leave things alone and put a brake on development and progress. Emotions run high among all members of the King family including relatives out to make a quick buck. Clooney anchors this film and does a great job playing a concerned father battling all sorts of inner demons as some pretty devastating secrets perk up. Side issues are important but there are too many convenient happenings that are a tad too far-fetched to be believed which takes some of the edge from this somewhat depressing journey.

Fans of serious drama and family fare with a penchant for the slower country living at the Aloha State should feel right at home watching The Descendants, a family friendly film which sharply contrasts to that other 50th State import Hawaii Five - 0.

Family Strain!  
 

By ALAN SAMUEL  

Big decisions confront a family in Blood Brothers, a sensational musical drama from The Arts Club Theatre now spellbinding audiences at the Granville Island stage.

Sure to be one of the biggest hits in years, Blood Brothers is a dynamic tale about a woman in crises meshed with rousing songs and stand out performances. Set in Britain our story revolves around the plight of Mrs. Johnstone, a single mom with more than her share of problems. In a tour de force performance Terra C. Macleod simply bowls over onlookers as the determined mom trying to do the best for her lot. Bowler sings up a storm with unbelievably catchy numbers and memorable tunes that perfectly fit the dramatic scenes. Blessed (?) with an abundance of children, this hard working hard luck single mom must make a decision that even the mighty Solomon with all his wisdom would have a tough time dealing with - how to cope.

Just as Mrs. Johnstone is trying to solve this problem a chance acquaintance with another woman further complicates thing. Richer and childless Mrs.Lyons is depressed since she has no children. Brought forth by Meghan Gardiner with a stiff upper lip you can well sense the different plights of both these women and their contrasting stations in life. Mrs. Lyons has everything and is elegantly dressed and lives in a beautiful residence while Mrs. Johnstone lives plainly. When the two women reveal their dilemma to one another the switch is in, the con is on, and the two now young boys go their separate ways. Needless to say, the young lads are not happy with the situation.

At the heart of Blood Brothers is a pact made by the boys, Eddie and Mickey. Despite being twins each kid has their own diverse personality which further muddies an already muddled situation that only gets out of hand further as time marches on. Mickey is the more dynamic child and is played rough and tough style by Shane Snow. Eddie, on the other hand, is more polished and somewhat weaker, well enunciated by Adam Charles. Chemistry is in the air between this pair which later on gets further exacerbated with the arrival of a girl called Linda, buoyantly fleshed out by one Lauren Bowler.

Huge family issues engulf both parties here and the whole two hour and a half hour play is anchored by a wonderful on stage narrator, delightfully depicted by John Mann. Talent and high stakes drama exude from this wonderful, timeless tragedy of a tale that will resonate with you long after the curtain goes down.

Adapted from the hit musical by Willy Russell Blood Brothers is must see entertainment and live theatre at its finest. It just goes to show you how good the acting talent is in British Columbia as well as the professional musical accompaniment that is second to none. By the way, all the actors are also tremendous singers with lead performer Terra C. MacLeod simply sensational.

For an early Christmas treat be sure to take Blood Brothers, now showing at the Arts Club Theatre's Granville Island Stage. For ticket to Blood Brothers or more information on the show call (604) 687-1644 or go to www.artsclub.com. Blood Brothers appears in Vancouver from now until Dec. 31, 2011.

What a Drag!  
 

By ALAN SAMUEL  

Explosive performances and memorable tunes highlight The Vancouver Playhouse's newest treat: La Cage aux Folles. Perfect timing sees this comic gem light up the holiday spirit.

Relationships can be tricky at the best of times. Plans of marriage can further ramp up emotions. Imagine the difficulty of the son of gay parents about to marry a girl whose mom and dad are intolerant. This provides the hilarity behind La Cage aux Folles, a new tour de farce that truly wears its heart on its sleeve.

Full of pomp and circumstance this two and a half hour show largely centres on the relationship between two gay men, stars in their own mind. Each sole works at the infamous bawdy club on the French Riviera. Georges is the more sedate of the pair and MC's the evenings while Albin is the more unpredictable, raunchy and talent-minded as alter ego Za Za. Perfectly matched in their roles are David Marr and Greg Armstrong-Morris with the latter having the added burden (?) of liking to dress in women's clothing. Their close nit lifestyle comes under the gun when son Jean-Michel decides to take a wife, a young girl born to a vicious politician who would like nothing better than to stamp out the gay lifestyle and anything else that doesn't fit his norms.

Intolerance is at the heart of La Cage aux Folles as is discrimination and family and these films are wonderfully brought to light. Bigotry is bad and the love and warmth these two grown men show to one another is palpable. Oh, and on the fun side there are loads of fancy costumes, high stepping plume adorned showgirls and knockout songs to leave you in a tizzy.

Each character here is well defined, the dialogue excessively clever and a revolving stage perfectly suited to the changing times and emotions the cast of La Cage aux Folles goes through. Even the background entertainers are a riot and will bring the house down with laughter.

Taken obviously from the hit European and Broadway plays with faithful homage to the Hollywood movie our local La Cage aux Folles production is equally as good if not better. Acceptance is at the heart of this engaging full value local program and now, more than ever, needs to be seen by one and all.

If you're looking for a good laugh and performers that pour their heart out to everyone then La Cage aux Folles fits the bill perfectly. Credit director Max Reimer for pulling off a major theatrical coup here as the cast really is smoking hot (and we're not just talking the luscious leggy showgirls here). Out to steal your heart among the strong secondary back-up characters are Vincent Tong as mischievous Jacob and man of all seasons John McHenry, neck brace and all whose able to keep a stiff upper lip throughout while providing novel levity in the best stuck-up tradition.

Be sure to see this fine show at the Vancouver Playhouse, located beside The Queen Elizabeth Theatre, during its run. This extravagant musical will also make a perfect Christmas stocking stuff to arts lovers and those looking for a perfect fun-filled night out with actors drenched in hilarious costumes and winning performances - a tour de farce of the finest order.

For tickets or more information on La Cage aux Folles, now showing until Christmas Eve Dec. 24. Call (604) 873-3311 or go to vancouverplayhouse.com.

Mamma's Boy!  
 

By ROBERT WALDMAN  

Prepare to learn all about the dirty secrets of one of America's most powerful men in J.Edgar, a sensational story from Warner Brothers now exposing the truth at Empire Studio 12, Colossus and Cineplex Odeon Theatres around B.C.

Fall and winter are the seasons that Hollywood's top guns unleash their best work. Oscar buzz is in the air as studios bring out their most polished product. Sure to be a contender for best picture of the year is J. Edgar, a sensational look at famed F.B.I. director J. Edgar Hoover from Warner Brothers. Buzz aside, this is one terrific movie and an effective expose on one of the most powerful men in American history, warts and all.

Acclaimed actor turned director Clint Eastwood (Dirty Harry) again shows why he's one of the world's best directors even while over the age of 80. Through a smart back and forth technique we see the rise of the famed government employee first from humble beginnings at the Department of Justice to heading a virtual fiefdom as top law enforcement officer in the country.

Cast in the pivotal role of J. Edgar Hoover is Leonardo DiCaprio (Titanic) in another towering performance. Make-up here plays an integral part of this movie as both J. Edgar and his close friend Clyde Tolson show considerable wear and tear over the years. Fresh from his triumphant work on The Social Network as one of the true originator's of Facebook Arnie Hammer does a fine job playing the "other man" in the director's life. Dealing with gay relationships during this time was tricky and Eastwood brilliantly fashions this story to delve deep into the personal psyche of both men, particularly Hoover.

Another key aspect to Mr. Hoover's life was his relationship with his mother. British import Dame Judy Dench (Casino Royale) also gives a strong performance as the caring mom Annie, a figure who truly impacts her son in all sorts of ways.

From a historical standpoint, J. Edgar spans 48 years in the life of a legend. Lead by direction was an obvious motto for Mr. Hoover and DiCaprio conveys a rugged, ruthless determination by a man out to protect the American way of life. Heaven help anyone trying to get in his way. Key parts o this larger than life figure are revealed in detail with great finesse by Eastwood who, as always, has done his homework here. Much of the story of this lawman is known and vendettas against Communist and dirty tricks are well explained here in uncanny detail. Whether you support this man's techniques or consider him an affront to free speech and/or democracy is debatable. What can't be discounted though is for 2 hours and 15 minutes we're hurled back in time to see how one single lawman managed to harness untold energy to form an unbelievable police investigative unit that truly laid the seeds to forensics, crime fighting and all the CSI type shows so popular these days.

Just the right tempo gives J.Edgar lots of momentum. And Australian actress Naomi Watts (Mulholland Drive) also makes a nice impact as Helen Gandy, a secretary to the director who also seems to have toned down her striking good looks to bear the essence of this humble civil servant serving the ultimate power hungry, crime obsessed control freak. Expect more than a few Oscar nominations from this star-studded, impeccably acted story that also features pitch perfect atmosphere and a great moody score, another Eastwood the musician trademark.

Suspicious Minds!  
 

By ALAN SAMUEL  

Young lovers seem to be heading on a collision course in Like Crazy, a significant drama from Paramount Vantage now drawing folks in at the Fifth Avenue Cinemas.

Fall is the time when Hollywood brings out it's more serious fare. Right at home in this camp would be Like Crazy, a serious drama from Paramount Studios bound to get people thinking. Even at the best of times relationships can be tricky affairs. Throw into the mix a problem of distance and the element of lapsed time and you just know the road to love will be rocky for our two main protagonists here.

Los Angeles and England are the home base for two young lovers. School is a great place to meet new friends and potentially to make out as is the case of work sites. Both these elements come into play for Jacob and Anna. Based in Los Angeles, Anton Yelchin (Star Trek) is well suited to play the shy and retiring Jacob while Felicity Jones (The Tempest) does justice to her British brethren as a wayward student in search of her soul mate.

How the two meet up is irrelevant. What is important here is that Anna is only allowed to stay in the U.S. for a limited time period according to her visitor visa. Once the relationship between this pair of transplants heats up government bodies intervene and Anna is forced back to the UK. How the pair are able to wrestle with being away from one another provides the real "meat" to Like Crazy.

Its not easy to bide your time when your away from your loved one and both individuals hare a real hard time staying "faithful". Parental interference adds a touch of levity to the tons of soul searching Jacob and Anna endure as they wrestle with their emotions. Complications on both sides of the Atlantic begin to grate on their relationship which adds more fuel to the fire in this heavy drama that looks at love and all its ups and downs.

After a slow start director and co-writer Drake Doremus (Spooner) faithfully examines the pitfalls in long distance relationships. All the acting here is strong and the entire story seems quite realistic. Outside lovers are nicely portrayed by Jennifer Lawrence (Winter's Bone) and Charlie Bewley (New Moon). Forget about lots of in your face nudity or sexual commotion here. Instead Like Crazy examines how two people get their personal head space "violated" and at the end your not truly sure how they'll end up. Apart from a few scenes involving marriage that are way off the mark in terms of their authenticity there are enough strong points and good messages in Like Crazy to make it appealing as a realistic look at the tough going in keeping relationships intact.

Worry Wart!  
 

By ROBERT WALDMAN  

All does not seem to be well for one hick type guy in Take Shelter, a first class drama from Mongrel Media now stirring things up at the Fifth Avenue Cinemas.

Families come in all shapes and sizes. One troubled man creates a lot of friction in Take Shelter, a first rate drama from Mongrel Media now showing in select markets across North America. Released in the fall, Take Shelter is a perfect example of how studios smartly wait until after the youth-oriented summer season to present top caliber movies that boast strong acting, quality scripting and meaty adult themes. Critics of Hollywood often say nothing original comes out of this dream factory. Once in a while, however, a gem gets uncovered. Writer turned director Jeff Nichols shows us the way to your hearts in Take Shelter, a searing drama full of powerful performances that seem to come from out of nowhere. In other words, with this movie you truly get a fresh and new experience the likes of which you haven't seen before which is downright refreshing!

Centre stage in this little unusual drama is a man named Curtis. In the performance of a lifetime, Michael Shannon (Jonah Hex) takes us on an unbelievable journey as a man trying to do what's best for his family. Along the way countless problems and unsettling situations develop which really do create an emotional roller coaster for all concerned. Married and with a young daughter, all is not well at this rural Ohio household. While Curtis goes about his daily work activity wife Samantha manages at home tending for a little girl with health issues. Mom of the year Jessica Chastain (The Help) deserves a medal for dealing with Curtis, who tries his best but may have a screw or two loose. Caught in the middle of this cross fire is young Hannah, a girl with medical problems well displayed by first time actress Tova Stewart.

Young Hannah, however, is not the only person at home with health concerns. Dad Curtis is of the belief that some monster storm is on its way. Day by day Curtis becomes more obsessed with thoughts of impending doom as he thinks Mother Nature is essentially out to get him and his family. Drastic measures are called for which further add to the woes of this closely-knit clan. Not one to believe he's wrong, the strong views held by this hard working blue collar employee ultimately become more and more pronounced. Bad things start to happen at home and soon even Curtis' loved ones begin to question his sanity. Friction soon develops between Curtis and the community which takes us into unchartered waters. You just don't know what will happen next in this tense, slow-building suspense laden tale that works as an exciting personal drama.

Loads of serious issues are posed in Take Shelter. Themes that run through this film concern natural disasters, employment problems, friendship and mental illness. Subjects like these have been breached before in movies. Here, thanks to a standout performance from Shannon, you really sense the determination of this man to save his family. How he ultimately decides his fate is left to the final few minutes making this movie a real nail biter of a psychological thriller that relies more on inner turmoil than out and out scares.

Weird Wedding!  
 

By ROBERT WALDMAN  

Events truly get a bit out of hand in Melancholia, a decidedly different and ultra strange movie from EOne Films now enchanting audiences at the Fifth Avenue Cinemas.

Something wicked this way comes. Caught totally off guard are participants at a weird wedding in Melancholia, a bizarre bit of drama from EOne Films. Right from the ultra slow start we're not sure what kind of story we're heading into. Let's just say nothing is ordinary in this twisted tale of a bunch of screwed up family members.

Doomsday scenarios can take many forms. What happens during and after one strange wedding will leave everyone turning and twisting in the wind - both the participants and the nuptials and cinema fans too. Events go from strange to totally wacky for the happy (?) couple who go by the name of Justine and Michael. Sharing top credits for this convoluted walk down the aisle are spry Kirsten Dunst (Spider-Man) and Alexander Skarsgard. At the start they seem like a happy pair but underneath that blissful exterior lies strange secrets. All is now well in paradise and what should have turned out to be joyous occasion turns out to go wrong in a hurry.

Glumness sets in on the wedding party. That's nothing compared to a sense of fear descending on members of this rich gathering, hosted by the bride's wealthy brother-in-law John. Canadian Kiefer Sutherland (24) shines as the rich brother who will do all to please his sister. Too bad other members of this messed up family don't share his enthusiasm. Out to please sis is sister-in-law Claire, delivered in solemn tone by Charlotte Gainsbourg.

Much of the cause of concern for many at the party is a strange outer space phenomenon. Some new planet is "threatening" to cloud over the event, and Earth as we know it, giving a degree of angst to all the believers. Director/writer Lars Von Trier (Dogville) has made a career of helming bizarre, offbeat movies and Melancholia easily ranks right up there as one of his best efforts. Melancholia is a bit long at 136 minutes bit it has lavish sets and stand-out performances. There's a pent-up sense of fear and anticipation and all the actors here do a great job with their mixed up and diverse characters. Stars to watch out for include a couple of veteran greats who have great turns hamming it up as parents to the bride, namely John Hurt (Hellboy) and Charlotte Ramping (Zardoz). Other top European actors to make their talented presence felt as lavish wedding guests include Jesper Christensen (Casino Royale) and Stellan Skarsgard (Mama Mia).

Not for the tepid, Melancholia is an eerie almost science fiction wrapped drama that is very unconventional with twisted messages that will leave you gasping at its audacity and wresting with its dire warnings and evil pronunciations.

Pressure Cooker!  
 

By ROBERT WALDMAN  

Hard times on Wall Street (as well as Main Street) are well reflected in Margin Call, a sizzling drama that boasts an A-list cast, from Alliance Films, now battling for your hard-earned dollars at the Fifth Avenue Cinemas.

Fresh off the daily press is the story behind Margin Call. Action here takes place inside a high rise New York office tower where a financial conglomerate is undergoing just a touch of stress. Selling is the number one objective of brokerage houses and Margin Call explores the plight of a group of workers trying to keep their heads above water when things begin to sour.

Head trader Sam Rogers is a man whose seen it all before. Upticks and downturns in the market are nothing new to Sam, here played with street smarts by the always reliable Kevin Spacey (The Negotiator). What Sam doesn't know, however, is that his firm is in huge difficulty. Once news of this "position" comes to light everyone at the firm goes into panic mode as damage control is now job number one. Just how this company manages to stay alive makes Margin Call a very exciting, emotional and realistic experience to behold.

Just what went wrong at the company is a text book case of the ins and outs of doing business in the big leagues of Wall Street. Cover-up is the order of the day and the emotions the men and women traders go through to retain their jobs is palpable. Here an A-list cast goes through the motions which lead to a roller coaster of emotions you won't soon forget. Among the cast to note are Britain's Paul Bettany (The Da Vinci Code) as leading trader Will Emerson Stanley Tucchi (The Pelican Brief) as programming whiz Eric Dale and Jeremy Irons (Die Hard: with a Vengeance) as John Tuld, a power player second to none. Iron's smooth and slick delivery epitomizes the sleaze factor Wall Street has become so known for.

Director and writer J.C. Chandor puts forth a typical day in the life of a trading floor and then ramps up the chaos when things go literally off the charts. Issues of displacement, loyalty and survival are themes exquisitely explored in this very timely look at corporate greed and the hardship such single-minded objectives generate.

Double Life!  
 

By ROBERT WALDMAN  

Change of heart takes place big time in Machine Gun Preacher, a dynamic new movie from Alliance Films now fighting into the Fifth Avenue Cinemas.

Here the title says it all. With Machine Gun Preacher, a fresh film from Alliance Films, you have a man put down his arms all in the name of God. Based on a true story this sizzling 129 minute, though a touch long, is certainly thought-provoking.

Sometimes in life a human being can have an about face. In the case of one Sam Childers that revelation is hard to imagine. Macho man Gerald Butler (300) gets the opportunity here to show a more humane side. Cast as Childers we first see this man getting out of prison. Doing time can be a tough experience even for the most hardened criminal. Back in those days Childers rode a bike and mixed decidedly with the wrong people. Hot tempered with a short fuse it does not take this man to go back to his old ways.

Being a biker evokes a host of bad images. Brawling, boozing and womanizing are the order of the day for Childers who hangs out with an equally repulsive loser named Donnie. Hot off his starring feat in the astounding Take Shelter Michael Shannon here tones down things a bit as the partner in crime to Childers. What no one sees, however, is the impact religion and Childer's wife will have on his future.

Tired of being just a second class citizen and under the pressure of raising a young daughter Lynn Childers decides to break out of the mould others and particularly her husband have shaped for her. For Lynn salvation is in God and she starts a new life. Reluctant at first to atone for his sins Sam ultimately decides to give in. What follows is truly hard to believe and seems like it's a totally contrived Hollywood story. Here, however, everything is the truth.

Now a convert to God and humanity somehow Sam Childers learns of the troubles in the Sudan and decides to go over on a mission. Once inside this disputed territory he sees first hand the pain and torture the kids must endure. To make amends with his own demons and contribute to a good cause Childers decides to take on the task of helping these lost children. Over time a connection is made mixing bullets with sermons in an unforgettable way.

James Bond alumnus Marc Forster (Quantum of Solace) does a masterful job recreating the tension and desperation on this region during the civil war that continues to rage. Butler turns in a solid dramatic performance as a man struggling to keep two families together: one his wife and daughter stateside, the other 100s of kids in a distant third world poverty stricken nation. Results are nothing short of miraculous for all fortunate enough to witness this tireless aid worker in action.

Buddies!  
 

By ROBERT WALDMAN  

Down on their luck characters and a chance for redemption provide the meat in Real Steel, a sensational different type movie from Touchstone Pictures now setting off bells at Empire Studio 12, Colossus and Cineplex Odeon Theatres around B.C.

Originality seems like a foreign concept for most Hollywood filmmakers. Thankfully Touchstone Pictures has raised the bar considerably with Real Steel, a dynamic new action type film steeped in family values. Look at the pedigree of the creative team behind this movie and you just know positive things are about to happen. And that's a good thing for the flawed characters in this rousing little movie that scores big on the human scale.

Right from the get go you know the lead character in this slightly science fiction tinged movie has a lot of flaws. Poor Charlie Kenton can't seem to do anything right. Versatile Hugh Jackman (Van Helsing) shows a real vulnerable side as a loafer whose main focus in life is arranging fights for his robots. Yes robots. Set in modern times there's a new form of mass entertainment where robots go at it hot and heavy in WWF style matches around the world.

Beaten down and beaten back Charlie is a man on edge as he has little money, few friends, a long list of creditors and a largely do nothing attitude. Even bigger problems come his way when a long lost son suddenly appears. Left to his own devices young Max is a little boy lost without a home. Cute as a button Dakota Goyo (Thor) will steal your hearts as the young lad who turns into a pawn between rival family members.

Given a choice to make things right Charlie gets a second chance to re-connect with Max. Obstacles however often get in the way of this father/son reunion. What brings the pair into focus, however, are a number of problems they both encounter. Each person grows from their differences and vulnerabilities. Where the two really connect concerns their love for robots - especially the fighting kind! 127 minutes flies by in this tale of father/son bonding and the ups and downs they encounter along the way.

Brought to you by executive producer Steven Spielberg (Jurassic Park) Real Steel is a heart-warming family tale all about overcoming your fears and making amends for past mistakes. Director Shawn Levy (The Pink Panther) certainly knows his way around dealing with kids and family issues and here pulls off just a terrific movie. With its unusual setting and story line Real Steal is flush full of great spectacle - and heart. Action scenes showing the robots fight it out are wonderfully choreographed and really exciting. Even the trouble Charlie encounters is well executed. You'll be rooting for both these underdogs all the way as the seeds seem to be sown for them both to fail.

Also lending some support for our troubled Charlie is a co-robot enthusiast named Bailey Tallet, nicely brought forth in this best nurturing way by Evangeline Lilly (The Hurt Locker).

Spend some time with the boys of Real Steel and you'll encounter unusual characters, sparkling dialogue and one of the best father/son stories in years.

All for One!  
 

By ROBERT WALDMAN  

Snappy fun is on tap in The Three Musketeers, a rebooting of the classic adventure yarn from Alliance Films now showing off at Empire Studio 12, Colossus and Cineplex Odeon Theatres around B.C.

Back in time we go to the 16th Century to bear witness to troubles galore in The Three Musketeers, a crowd-pleasing new look at a group of not so merry adventurers by way of Alliance Films. Shot in 3-D The Three Musketeers is a major tongue in check look at a power struggle in the corridors of France. Bit name stars play second fiddle to our three heroes and a rookie out to make an impression on all who come across their messy paths.

Right from the start you know you're in for a rollicking tongue in check time here. One by one we are introduced to a trio of rogues who delight in making life problematic for the rulers of the day. In no correct order we meet Aramis, Athos and Porthos - each man with their own special "talents" that create chaos for the monarchs of France and their wicked advisor(s). Together Luke Evans (Clash of the Titans), Matthew MacFadyne (Frost/Nixon) and Ray Stevenson (The Book of Eli) are all well-suited to their characters as they all exhibit the requisite degree of cockiness that perfectly symbolizes this tricked up 110 minute movie. Less successful in the casting, however, is the pivotal part of new member of the troop D'Artagnan. Played by Logan Lerman (3:10 to :Yuma) this character seems out of sync with the rest of the ensemble.

Better casting, however, comes by way of a woman who figures prominently throughout the exploits of these "freedom" fighters. By all accounts M'Lady de Winter would have made an ideal musketeer but her beauty spells trouble to all who cross her path. Mischievous as hell, Milla Jovovoich (Resident Evil) perfectly plays this bewitching woman who can easily hold her own against all the men (and women) who cross her path.

So far we've just talked about the good guys. Plot-wise, somehow these musketeers become entangled in a path to control France with the fate of Britain also left hanging in the balance. Against all odds the new four musketeers lock horns with rebels in the French court, well acted out convincingly by Academy Award winning Christoph Waltz (Inglorious Basterds) and James Bond alumnus Mads Mikkelsen (Casino Royale).

Flambouyant on a variety of levels, The Three Musketeers is a lot of fun. Stupid dialogue and one key bit of miscasting aside, director Paul W.S. Anderson (Death Race) succeeds in creating a lavish spectacle that drips with charm, wit and elaborate trappings of excess. Fancy costumes and opulent settings are a fitting backdrop to the action scenes that are full value. Dramatic swordsplay, futuristic set design and some nifty special effects make The Three Musketeers a delightful romp. Even the 3-D effects here seem to work which makes this movie a cut above the rest of light action romps so commonly churned out nowadays.

Family Man!  
 

By ALAN SAMUEL  

Comic chaos begins unobtrusively in Starbuck, a hilarious treat from EOne Films now showing off at the Fifth Avenue Cinemas.

Originality seems like a foreign concept in Hollywood these days. That's why foreign films can score big on the creative side if they are fresh and unique. Hats off to the Government of Canada and it's filmmaking arm, Telefilm, for making Starbuck, a magnificent comedy with tons of heart from EOne Films. Not to be confused with the iconic Seattle based coffee brewer (and chief villain headquarters in the Austin Powers Movies), this Starbuck is name of a man. Well, actually it's a nickname. Just how that very name was acquired helps flesh out the meat in this story about a man involved with meat, women and some strangers he never met.

At the heart of Starbuck is one man: David Wozniak. Born to Polish parents, ace French actor Patrick Huard (Funkytown) perfectly plays the out and out loser who winds up in more jams than you can imagine. At work he's the worst employee at the butcher chop. Even his girlfriend Valerie, can't believe he's so immature despite his 42 years living on this planet. Cast as Valerie is Julie LeBreton (The Rocket) a woman whose had it up to here with David's immature nature.

While David's life continues to spiral downward an event from this past suddenly surfaces which creates more strain on his already questionable sanity. Some years earlier this sad sack visited a fertility clinic and now it looks like the chickens are coming home to roost.

Apparently some man has fathered not just one child but a total of 533. All things point to David and this poor jerk can't believe he was found out. Well, that's not the whole story. Known as Starbuck the orphans, now grown, want to find out the real truth and what follows is a heartfelt story of a father trying to come to terms with the past in the present. Results are nothing short of miraculous.

Director and co-writer Ken Scott here creates a brilliant tale that's fresh, funny and at times sentimental. Seeing this adult loser try to relive his past and make up for earlier shortcomings are heartwarming. Huard is sad and funny and pulls off an unforgettable performance. And like the poster suggest, this is one movie that belongs in the Judd Apatow bracket of comedies - only here the end results are even better.

103 minutes flies by the screen as you'll be enchanted by the antics this mysterious sperm donor generates. Family is at the centre of this movie and David's extended family is also well depicted and how he tries to learn about the kids he generated well, its priceless.

Take No Prisoners!  
 

By ROBERT WALDMAN  

Ancient times create the perfect havoc for warring factions in Immortals, a sizzler from Alliance Films now holding court at Empire Studio 12, Colossus and Cineplex Odeon Theatres across B.C.

Gods and mere mortals collide in Immortals, a rambunctious offering from Alliance Films that works on a variety of levels. Sure to prove popular with those into mega fantasies like 300 and Clash of the Titans, Immortals charts a brutal course of a "plain" man battling a ruthless leader out to control the world. Steeped in mythology and tradition it's the Gods that are looking down on Earth as a relentless madman sets his sights on conquest of the lands.

By all accounts King Hyperion is as ruthless as they come. Oscar winning heavyweight Mickey Rourke (Iron Man 2) gets lots of screen time which he uses to full advantage as he slices and dices his way through the lands in a quest for immortality. Number one objective is for him to secure a magical bow that wields unbelievable powers. Out to stop him are some ordinary citizens led by the most unlikely of heroes.

Not quite ready for prime time warrior to be is Theseus, a man with his own grudge to settle against King Hyperion. Relative unknown actor Henry Cavill (the Count of Monte Cristo) may well be headed to stardom as the mild-mannered peasant/slave who rises to the occasion to lead the revolt against Hyperion and his mammoth army.

High up above, overseeing the impending bloodletting, are a series of Gods who also have a stake in the outcome of this fight for survival. Snazzy special effects, mild 3-D elements, and a sense of desperation all work well in this campy tale that fans of this genre will warmly embrace. Director Tarsem Singh (The Cell) takes us back in time to the ancient world and succeeds in building a strong rivalry with good against evil and creates great tension and epic battle scenes worthy of your consideration. Strong support from the likes of Stephen Dorff (Public Enemies) as a comrade in arms to Theseus and Freida Pinto (Rise of the Planet of the Apes) as a virgin with the ability to foresee the future help make this epic journey a lot of fun.

Veteran scribe John Hurt also lends a hand as a mentor or sorts with lots of historical baggage in his resume. Bottom line on Immortals is that its fantasy with lame 3-D elements but engaging battle scenes and rivalry that makes this movie rock!

Spy Time!  
 

By ALAN SAMUEL  

Bumbles and mumbles are the order of the day in Johnny English Reborn, a silly bit of nonsense from Universal Pictures now hoping for onlookers at the Empire Oakridge Cinemas, Empire Studio 12, Colossus and Cineplex Odeon Theatres around B.C.

Perhaps he just should have been put to rest peacefully. No such luck as that hapless British idiot, Johnny English, gets one more kick at the can in Johnny English Reborn. Brought back for a second shot by Universal Pictures, Johnny English Reborn marks the return of loveable Rowan Atkinson (Bean) in his "second" most famous - or is that infamous" role. Thanks to the resurgence of the 007 franchise the brainchild behind this movie felt the time was right for a return of the spy who should never have been given a license to do anything. Ah, all is not lost, since I guess we just have to put up with him for a rocky 101 minutes.

All kidding aside, Johnny English reborn will definitely appeal to the juvenile set, those who like stupid gags and one liners. Atkinson is in fine(?) form as the dapper British MI 7 officer who is put back on the job after a brief hiatus after a botched mission. Orders given to him this time by Pegasus involve protecting a Chinese diplomat from a pending assassination. Playing the Q type task master is Gillian Atkinson (The X-Files) who's stern though likeable demeanour pales in comparison to the daffy animal magnetism of Mr. English.

Along to help English with his protective duties are rookie agent Tucker, nicely delivered by Daniel Kaluuya. However, their task is made much more difficult by a potential double agent in their midst. Others who shore up the British Defense establishment include Agent Ambrose, portrayed with great roguish relish by Dominic West (Hannibal Rising) and team psychologist Kate, nicely delivered by Rosamund Pike (Die Another Day).

Behind all this foolish mess is director Olive Parker (An Ideal Husband). Fans of Atkinson and the original Johnny English will enjoy this farce. Lots of take offs on the original Bond series are in evidence here as is a tribute of sorts to Kato of The Pink Panther fame. Some of these gags work, others don't. If you like silly stories with a likeable funny face hero then Johnny English Reborn may give you a few chuckles - but don't expect any long-sustained laughs or much true wit. This film is strictly for 10 year old boys.